Jonathan being in law school is part of our routine now. Three mornings a week, he wakes up before dawn and rides his bike down to the train station in Pietrasanta for the half-hour train ride to Pisa and then peddles past the Leaning Tower as the sun rises on his way to his first class.

We went into Firenze last week and bought him a folding bike that is easier to get into the crowded morning train. Because it folds up to be the size of a carry-on bag, it has very tiny wheels and makes Jonathan look like an escapee from a travelling circus. He is now a local character and people make sure to tell him when they have seen him on it -- an interesting event in their day.

This is all well and good on the way down the hill, but at the end of the day when he comes home, he has to peddle up the mountain (a thousand-foot elevation gain over only about four kilometers of road) on his tiny wheels like a demented clown. The hard-core spandex cyclist crowd  -- many of whom are actually professionals who use the lovely Via Capriglia as a training ground for the Tour de France and the Giro d'Italia -- pass him easily, but often give him complements and friendly encouragement as they go by. One buff young man even circled back last Wednesday to say, "You are my hero of the day!" He didn't, Jonathan says, call Jonathan "Gramps," but he was clearly thinking it. So, a dubious complement, but we take whatever we can get from the whippersnappers.

When Jonathan goes past the pub, everyone on the terrace cheers wildly.

In the meantime, I am home making chestnut butter. We are in the height of chestnut season now and I can't seem to resist. If it weren't that peeling the nuts is such a tedious chore, we would probably be drowning in chestnut butter by now. So I guess the tedium is a blessing.

My drawing is now on the labels of the house wine at the pub, which is fun. The label says "Una comunita' e' una famiglia" -- "A community is a family."

And for purposes of historical record, below is a picture of everything I bought at the market last Thursday. It weighed 13 pounds all together and cost 14 euros -- about 15 dollars. Some day we will marvel at that.

Heavens -- that was fast! 

Friday night, Daniele asked me if I would try to design a label for the wine they are going to start selling at the pub. I did that on Saturday and Sunday and then yesterday (Wednesday) he sent me this picture of one of the bottles. 

 

Autumn is here now and I startled a beautiful deer in back of the house yesterday when I went out to hang up the laundry. It was a lovely dappled brown and black and it disappeared into the woods immediately.

The chestnuts have started to fall and so have the corbezzoli berries. The porcini mushrooms are still going. I am making plum jam later today, but chestnut butter is on the immediate horizon and corbezzoli jam after that. The air is cold in the mornings and very clear so that we can see the individual windows on the houses down on the coast. The sea looks smooth and burnished in the sun.

Daniele and Alice have decided to start a line of their own wine at the pub and Daniele asked me to design the label. (At first he hired an actual professional designer, but he didn't like anything the designer came up with and I happened to be sitting around drinking wine with the boys at the time, which is how most things happen to me. That has been true my entire life. Being underfoot has worked out well for me as a life strategy.) I did about four designs and they chose the one with the green door, which will be a good souvenir of the place. So I have, at long last, come into my true calling. Jonathan and I are anxiously waiting for the labelled bottles to appear. The naked bottles are already there and Daniele gave us one to take home to "inspire" my drawings.

I also made another book trailer. These are much easier to make than the actual books themselves are.

 

Jonathan and I went in to Firenze Saturday evening to see Yo-Yo Ma play some Bach cello suites. It was one of the most profound artistic experiences of my life.

There was nothing on the stage -- just a chair. And he himself didn't do any talking -- just walked out carrying his cello and sat down and started to play.

And it was like being hit by a tidal wave of purest beauty -- an intensely physical sensation, sitting still there in my auditorium seat, of love. I felt it -- all in a rush -- in every part of my body, but most especially in my heart. Jonathan cried.

It's a strange thing to be allowed to watch a man sit on a stage in the light and commune directly with his gods. It seems like that should be an entirely private affair, such an intimate moment -- something that we should not look upon with unshielded eyes.

But I think the thing that great artists have is that they can touch their gods and they can also give you the feeling that you are, for the space of that moment, touching them, too. It was like he was giving each one of us, personally, the gift of transcendence. And now my heart is changed forever.

"I always thought you were a little bit crazy to cry in front of that Botticelli Madonna in the Uffizi," Jonathan said later on the way home. "But now I understand."

 In the book that I am writing about our life here, I am calling the pub "L'Arcobaleno" -- "The Rainbow."

Jonathan had another out-patient operation on Friday to remove a lump under his left arm to be biopsied. We stopped by the pub on our way to the hospital to show Daniele and Alice the t-shirts we had made with my drawing of the pub on them. Daniele offered us a coffee but we told them we couldn't stop because we were on the way to the hospital for Jonathan to have a lump removed.

"Another one?" Alice said to me. "You're going to have to get a new husband."

"Not now," I said. "Not when I've got this one almost perfected."

Jonathan had local anesthesia so that he was awake for the procedure itself. They carefully draped a curtain, though, between his eyes and his arm.

"Do you put the curtain there because people get scared if they look?" he asked the surgeon.

"Oh, no," the surgeon said. "We don't want you to see what we're doing because then you would just do it yourself the next time."

It turns out that we needed some headshots. These things happen.

 

Here in the last dregs of winter, we are celebrating Carnevale with dancing and drinking and masquerades and parading through the streets. The upshot of this is that the car and the house and the pockets of my winter coat all have little sprinklings of confetti in them.

We went to the big parade in Viareggio two Saturdays ago and to the little one in Pietrasanta last Sunday and to Ireland in between, first stopping in Pisa to see a Hokusai show at the Palazzo Blu, which is a museum now, but once was the house where Byron lived by the river. My favorite piece was a painting on silk called "Tiger in a Bamboo Grove Looking at the Full Moon." I would like to live my life in such a way that my biography could also be called "Tiger in a Bamboo Grove Looking at the Full Moon."

Ireland was windy and wild and romantic, if you can still feel romance after eating so much fried fish and chips. We went briefly insane at Aillwee and bought kilo after kilo of Irish cheese that we have now in the refrigerator.

I almost had a nervous breakdown driving the microscopic almost-but-not-quite-as-wide-as-one-car roads that were nevertheless two way streets among the encroaching hedgerows in Western Ireland on our way to the Cliffs of Moher and then on to Galway. I has assumed the driving-on-the-left-side-of-the-road skills that I picked up living for a year in the Cook Islands 20 years ago would come back to me. It is always entertaining to discover that you have assumed incorrectly while driving at high speeds through a mirror-image roundabout.

But we survived the hedgerows and the baked beans for breakfast and the incipient scurvy and the pints of Guinness and the wind that made me buy a hat and ended the serviceable life of our umbrella. Besides cheese and hats, we bought books in English and Irish seaweed snacks. We listened to traditional Irish music in a traditional Irish pub and also even managed to see a second Hokusai show in a museum in Dublin.

Our Moldovan cab driver on the way back to the airport our last day in Dublin, having lived for a while in Italy himself, exchanged emails with us so that he could send us info about making our own grappa (we had given a rousingly vivid description of our life here in lovely Capriglia-by-the-Sea). Yesterday, we got this email from him:

Hello Jonathan and Jonathan's wife :),

I hope you had an easy flight back to the Italian community and the big family!

Above all, I want to mention the moment that touched me the most. After you got into the car, you both exchanged a glance and smiled at each other with such deep respect and love. In that instant, I saw that you were truly united and happy as one. I’m so glad I witnessed that.

I hope that one day, when I reach your age, I will experience such a moment with my own wife.
Thank you for the inspiration! 

To this letter, I am attaching the books we discussed about self-distilled spirits.

We are having very romantic winter weather these days -- rough seas and skies like the inside of an oyster shell. But even though the wind is clear and cold and often fierce, hellebore and white daffodils are nevertheless blooming in sheltered little corners all over our garden.

Jonathan is slowly on the mend from his operation and can speak and eat regular food now, but still no word from the doctor about the biopsy results, so we worry. Next weekend is the Festa di San Biagio -- the patron saint of Pietrasanta and also of throats. So there is a Luna Park set up in a usually vacant field at the edge of town and next Monday there will be a Blessing of the Throats in the Duomo. Jonathan snorts dismissively, but I think this is too good an opportunity to pass up and intend to take him and his throat down to town to be blessed. This will doubtless involve some amount of trickery on my part. Or possibly crying.

And we are still working away on our video podcast project -- the second episode dropped today and we already have the third ready to go. Jonathan knows that this is all just procrastination because I am supposed to be working on a new book. So putting together a 50-episode video podcast series to keep from writing one paragraph seems quite reasonable.

We had lunch at the pub on Sunday, sitting at the Tavolo di Marmo with Ugo and Nonno and Alice's mother, Marzia. The secret of Alice's pregnancy is out now and everyone is so happy. Daniele is gently jovial and Alice is serene and beautiful. Marzia is busy encouraging Alice to eat more, while Alice glows happily.

One thing I miss about winter in Colorado Springs is the way the sky turns orange at night in the snow. But I look down on the jeweled plain below us and I am not too sad.

 

With the looming tidal wave of fascism all around the world, but especially in the US, we've been feeling pretty low, even here in our forgotten little Eden. So about three weeks ago, I had an idea -- Jonathan and I should put together a video podcast combining our expertise in social movements, collective action, protest, and resistance. I have three decades worth of thinking and teaching about this under my belt. I would have three decades worth of class notes about it except that after paying $30,000 to transport my notes all the way across the Atlantic Ocean, I immediately recycled them once they got here. That was about 48 hours before I had my idea and they suddenly became relevant again. Oh, well.

In any case, we are working away very hard on the episodes -- we have three of them finished now and are working on the next two and putting together a website, etc. The first episode will drop the day of the US presidential inauguration -- for obvious reasons. Then we plan to release one a week for 50 weeks. We are very earnest about this. I emphasize our earnestness and sincerity because our on-camera personalities are sock puppets and that may make us seem un-serious, which we are not. The puppets are named Juanita and Rodney.

Emma Goldman said, "If I can't dance, it's not my revolution." She said it right before they deported her.

 

One of the nicest and most surprising things about living in our hidden little world in lovely Capriglia-by-the-Sea is how much music there is here -- not music to make the musicians famous or music to sell merch or music to impress a sea of social media followers. But music for the joy of making music, for the love of it -- music among friends to make the winter days and nights more lively and more beautiful. In the past two weeks, Jonathan and I have marched in a parade through Capezzano Monte (pop. 355) following the Filarmonica as they played to unveil a new mural in town, gone to listen to our neighbor Fabio play in his blues band at the little cafe near the Lucca Gate (first video below) and driven to Pruno (pop. 90) -- far back in the hills above Stazzema, deep along winding roads to an ancient stone town with cobbled streets -- to hear Avi and Adele, our friends from the pub, play a concert in the tiny 13th century church of San Nicolo on a rainy, windswept night (second video below).

But there is also the casual music of everyday happiness. Below is a snip of the usual lunchtime pandemonium at the pub as it existed last Friday during lunch, the regular exuberance (Avi playing again -- this time on the wildly out-of-tune piano, which sounds so weirdly beautiful that I hope it never gets tuned.) I would say that this sort of commotion is nothing special -- meaning nothing out of the ordinary -- but that would be wrong because, of course, it is special and I am very aware that this will someday come to an end.

Some other updates:

Property is bondage: We have begun the process of bringing boxes of our stuff from the storage unit in Lucca to our house and unpacking it. This is tricky because the house was already full and there is no space to further absorb our belongings.

And, although opening box after box of our books is like greeting very dear old friends after a long and lonely absence, I somehow wonder if maybe we were better off when we had nothing.

The Netherworld: We went to visit Jonathan's son in Holland, where he is in school, and to visit the van Gogh Museum in Amsterdam, which -- to tell by the pungent aroma coming off many, many of the other visitors -- is a favorite haunt of stoned people. Possibly this is not specific to the museum, though. We also went to a big Asian market and stocked up with ramen to bring back to Italy. It's funny the things you miss. Let's not judge.

Remembering What is Truly Important (Food): I took my language test for Italian citizenship last Thursday and now we're waiting for the results. Could go either way. Among the dozen people taking the test, I was by far the newest arrival in Italy, having arrived only two years ago. The next newest has been here five years -- most of the others have been here between 10 and 15 years. One woman has been here 26 years. So I may have some grave doubts about how I did, but in another 24 years, I think I will have a decent shot. 

In any case, when we finally arrived back home after my extremely trying morning, we found that Mimmo had very sweetly managed to get a bunch of ripe persimmons down from our tall persimmon tree and left them for us on the porch.

Personality Defects: We have made tiny little bottles of our olive oil to give to friends, but (being hyper-aware of our own novice olive-oil-making status) we are too shy to actually give them to anyone.

Dead Geniuses: The Campanile down by the Duomo in Pietrasanta, which is always locked up tight, was unexpectedly open for viewing one day and we stumbled across it and were able to go in, although not up (which is probably just as well). Michelangelo designed it when he was living and working here and it is famous to us all -- the spiral staircase reproduced on postcards and paintings and refrigerator magnets -- although most of us had never seen it in person.

Episode IV -- A New Hope: Walking up the drive last week, I caught sight out of the corner of my eye of what I at first thought was the daytime moon. It turned out to be a wasp nest as big as a beachball high up in one of our trees. The bad news is the wasps. The good news is that it now gives Jonathan and I plenty of opportunities to look at each other and say "That's no moon" and "I have a bad feeling about this."

Lights: Everyone is now decorating for Christmas. It is all very magnificent down in Pietrasanta. But my heart belongs forever to the two and a half strings of lights over the road up here in Capriglia. What we lack in flash, we make up for in convivial drunkenness and good humor.

Today is a terrible day here because of the devastating results in the US presidential election. It is like a nightmare that we can't wait up from.

Jonathan got an email this morning from a friend saying, "Who's glad he moved to Italia now?" But people we love are still in the US and we are very well aware that not everyone has the ability to just pick up and move to another country. And, even here, there is no escape from the incredible harm of a fascist taking power in the US. We are all fucked.

But after 30 years of teaching about totalitarianism, I know that a key goal of oppressors is to atomize and isolate people living under their control. Totalitarianism is threatened by community, connection, and solidarity. Reaching out to our communities and strengthening our connections with each other is one of the most powerful ways to resist oppression. 

After waking to the terrible news, Jonathan and I sat and cried for a while and then decided that we had to do something to get out of the house and into the world. So we went down to town and stopped into our little bookstore here, Nina La Liberia, to chat with Andrea and Valentina, the owners, who were also on the edge of tears. But at least we are on the edge of tears together. 

Then we went together down the entire two-block length of Via Barsanti and took pictures every few feet of the buildings and the doors and the windows. It felt like maybe making some art -- any art of any kind -- is a tiny part of the resistance and maybe the only thing we are capable of doing in the midst of our shock and devastation today. So here are the pictures. I love you all.