Quite an uproar at the opera Friday night!

Jonathan and I went to Torre del Lago to see the premiere of this season's new production of "La Boheme" at the annual Puccini Festival. As one does.

It was a lovely evening. The theatre is open to the stars and the breeze comes off the lake. So elegant, so genteel, so sedate.

But no!

Apparently, a right-wing undersecretary of culture, recently appointed by the new Fascist Prime Minister, had denounced the production, whining that by setting the opera during the French student riots of 1968 (rather than its original setting of the French Revolution of 1830), The Puccini Festival Society was egregiously mixing art with politics -- something he only agrees with when the politics in question are right-wing.

The conductor of the orchestra, who had not been part of the production but was flown to conduct in only two days before it started, apparently agreed with the Fascist undersecretary. (When we told the regulars down at the pub about it, they were vociferously united in their disdain for the undersecretary, who is, they say, a buffoon. "Even a donkey," said Nonno, who is one week shy of his 89th birthday and, therefore, holds the place of highest honor and respect among the all-day drinkers, "Even a donkey, if you let it loose in the street, has sense enough to find its way home. The undersecretary hasn't got the brains of an ass!")

So the conductor, an apparent fan of the Fascists, to show his displeasure with the production, walked to his podium at the beginning of the show and put a black blindfold over his eyes, saying tat he didn't want to even see such a travesty. (There was also a fair amount of xenophobia mixed in here as well because the set designer was apparently French -- the horrors!) When he did this, the audience erupted in boos and catcalls. (Side note: one should not piss off opera aficionados -- many of them apparently have very strong lungs.) 

Jonathan and I were completely bewildered. We knew none of the backstory and only managed to catch the conductor's speech up to "I'm wearing this blindfold because..." We are so consistently clueless that Jonathan said later we are like the people who show up to the book burning with s'mores.

After the intermission, when the director reappeared for the second half, the screaming was even louder: "Vergogna! Buffone! Scemo! Vai via! Leccaculo!" ("Shame! Buffoon! Stupid! Go away! Ass licker!") "This is getting ugly," I said to Jonathan, still completely in the dark. "Is this where they start throwing things?" The chairs, however, were all attached to the ground.

At the end of the production, the cast on stage held up signs: "There is no Planet B," "Look Up," "Save the Earth" and other pro-climate-activism slogans. The crowd cheered and clapped for the cast and crew, but when the conductor came out to take his bow, almost all the clapping stopped, the yelling was deafening, and most of the audience very pointedly high-tailed it towards the exits. The conductor continued to take bows to a miniscule scattering of applause as elegantly-clad opera buffs stormed towards the exits.

Jonathan and I tried to eavesdrop on the conversations around us on the way out, but to no avail. We feared that this negative response was perhaps to the rather mild gesture towards climate change activism, but even for someone who just published a book about people going berserk over art, it seemed to be a disproportionate reaction to a sign saying "Look Up" (although I guess no more than the things I wrote about in "Outrage" -- people purposely stabbing Impressionist paintings with their umbrellas and fighting a duel over The Rite of Spring. I wrote a blogpost for Stanford about how the things I talk about in the book are back with us with regard to banning books, drag shows and abortions -- the link for that is here: https://stanfordpress.typepad.com/blog/2023/07/anthony-comstock-rides-again.html#more )

The next day we went down to town for the newspapers and figured it all out. It is comforting to know that if there is going to be a rampaging mob of enraged opera-goers, they are rampaging on our side. (Another side note: Don't mess with ladies in spike heels -- you could lose an eye.)

We have changed to buying our bread at a new bakery because the (Swiss) owner of our former bakery re-emerged after having been absent for nine months and went on a pro-Trump rant when she heard our accents. The new bakery is a bit out of our way, but seems very nice. And someone has spray-painted "Fascista Merde!" on the front of the garden supply store that is run by people who are, in fact, Fascist shits.

We are still having an unprecedented heat wave, but the air is not all that is getting hot around here.